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Sydney Pollack passed away the other day at the age of 73. Sydney Pollack seriously classed up the world of film in his capacity as director, actor, screenwriter and producer. As a director he made a number of classy human dramas including
Out of Africa,
The Way Were and
They Shoot Horses Don't They (great, GREAT ending if you've never seen it). His two favorite films of mine as a director were
Two Days of the Condor (a seminal spy thriller) and
Tootsie (a film that battles
Some Like It Hot for best drag comedy of all time). He was a solid technician and a marvelous director of actors. As a producer he was influential in pushing powerful adult dramas through studios. In a time when studios go for the sure thing (sequels, remakes and so on) and franchises Pollack pushed for an American cinema full of deep, thoughtful movies like
Searching for Bobby Fischer,
The Quiet American and the better every time I see it
Michael Clayton. Most recently he produced the excellent HBO movie
Recount and the forthcoming, long awaited Kenneth Lonergan project
Margaret. His production company Mirage Enterprise, which he helped found with the late Anthony Minghella, helped bring to life films like
The Fabulous Baker Boys,
Sense and Sensibility,
The Talented Mr. Ripley and
Cold Mountain.
As an actor Pollack specialized in playing venal, harsh and direct corporate types who knew how to lay down a serious truth bomb or two. Most recently he played Michael Clayton's boss, but he also did some serious screen scorching in
Eyes Wide Shut and
Changing Lanes. For an abslutely devastating Pollack performance you can't do better than his adulterous turn in Woody Allen's
Husbands & Wives. He also brought some enjoyable dramatic heft to
Will & Grace as Will's adulterous uber-Waspy father. My younger readers may recall him for his pre-movie advertisement where he interrupts a phone-call with some well-placed direction. This commercial nicely characterizes Pollack as a man who cared about a refined, clever, adult movie-going experience and for that, we here at the Sickness Cinema salute him.
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